![]() ![]() The Beatles recorded "Ticket to Ride" on 15 February 1965 at EMI Studios in London. If you go and look in the charts for what other music people were making, and you hear it now, it doesn't sound too bad. It was slightly new sound at the time, because it was pretty fuckin' heavy for then. Gaby Whitehill and Andrew Trendall of Gigwise have interpreted the song to be about a woman leaving her boyfriend to become a prostitute. The Beatles played in Hamburg early in their musical career, and a "ride" was British slang for having sex. McCartney said the title referred to "a British Railways ticket to the town of Ryde on the Isle of Wight", and Lennon said it described cards indicating a clean bill of health carried by Hamburg prostitutes in the 1960s. While the lyrics describe a girl "riding out of the life of the narrator", the inspiration of the title phrase is unclear, as is the meaning of the song. Author Simon Philo calls the song " avant-garde masquerading as pop". According to MacDonald, the track's heavy sound may have been influenced by Lennon and George Harrison's first encounter with LSD, the precise date for which varies among Beatles biographers. He also claimed that "Ticket to Ride" was the first heavy metal record ever made. Lennon said this closing section was one of his "favourite bits" in the song. In the case of "Ticket to Ride", the section consists of a repeated refrain similar to the last line of the chorus ("My baby don't care"), played over a constant A major chord and set to the double-time rhythm used in the bridge. In the view of musicologist Walter Everett, the latter section marks a progression on previous Beatles songs that similarly revisit aspects of a composition when ending with a coda. The song's coda features a change of tempo. The sustained A chord over the verses creates an implied drone common in Indian music and supports a melody that author Ian MacDonald terms " raga-like". The structure of the composition is in an expanded variation of the AABA pop song format, with eight bars of verse and eight bars of chorus forming the A section, and a nine-bar primary bridge forming the B section. The song is written in the key of A major. ![]() ![]() In his 1997 authorised biography, Paul McCartney contradicts this, providing an account more similar to Lennon's 1965 assessment: "we sat down and wrote it together … give him 60 percent of it … we sat down together and worked on that for a full three-hour songwriting session." He said let's alter the tune." However, speaking in 1980, Lennon said that McCartney's contribution was limited to "the way Ringo played the drums" on the recording. In 1965, Lennon claimed that the song was "three-quarters mine and Paul changed it a bit. "Ticket to Ride" was primarily written by John Lennon, and credited to Lennon–McCartney. Problems playing this file? See media help. In 1969, "Ticket to Ride" was covered by The Carpenters, whose version peaked at number 54 on the Billboard Hot 100. Live performances by the band were included in the Beatles at Shea Stadium concert film, on the live album documenting their concerts at the Hollywood Bowl, and on the 1996 Anthology 2 box set. ![]() "Ticket to Ride" appears in a sequence in the Beatles' second feature film, Help!, directed by Richard Lester. Among music critics, Ian MacDonald describes the song as "psychologically deeper than anything the Beatles had recorded before" and "extraordinary for its time". The song was included on their 1965 album Help! Recorded at EMI Studios in London in February that year, the track marked a progression in the Beatles' work through the incorporation of drone and harder-sounding instrumentation relative to their previous releases. Issued as a single in April 1965, it became the Beatles' seventh consecutive number 1 hit in the United Kingdom and their third consecutive number 1 hit (and eighth in total) in the United States, and similarly topped national charts in Canada, Australia and Ireland. " Ticket to Ride" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. ![]()
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![]() ![]() In other words, you could enter the date as "September 6, 2024" instead of "." Payment due date The template has the American MM/DD/YYYY format, but feel free to write out the month in the date for clarity. If you're billing a client in another country, use a date format that makes sense for both of you. (Keep this in mind especially when you create invoices in advance.) ![]() Invoice dateĪdd the date that you send the invoice. The first invoice sent on would have the number "09062401," and the second would have "09062402." Find a numbering system that works for you. It doesn't have to be anything profound if you have a simple billing system.įor example, you might use the date of the invoice bill and the order of the invoices you send that day. Invoice numberĮach of your invoices should have a unique identifying number for easier tracking. If you're billing a specific person at a company, you can list the business name, then the person's name. Include as much contact information as you have, and don't be afraid to ask your client if you need more details. Buyer's name and contact informationĮnter your client's name and contact information here. Include these details for your and your client's accounting and legal documentation. Add your contact information, including your address, email address, and phone number. Make sure your invoice includes your full business name-or your name if you're a contractor. Your business name and contact information Place your logo under the "Invoice" title or create a borderless table to put it on the right of the header. You can also include a logo if you want, but it's not necessary. ![]() It'll help you keep your invoices separate from other documents, too. When creating an invoice, it should include a clear "Invoice" title in case you need to use it for legal documentation. Ready to start filling yours out? Here are some tips on what to enter into each invoice field. (You'll be prompted to do this when you click their download links.) We made each template a Google Doc, so you can easily edit them and then download them in your preferred format, including PDF. To create an invoice, start by making a copy of one of these editable templates. It works well for general invoicing, but not so much for a specialized invoice like a credit or debit invoice.ĭownload the template How to create an invoice using an invoice template This is a standard invoice for small businesses and freelancers, meaning you use it when you want to get paid for your goods and services. Remember, each of these is completely customizable, so if your use case isn't represented below, you can pick the template that comes closest and then tailor it to your needs. The first template below should work great for just about any industry and product or service type, and you'll notice many of these templates have only slight variations on it. Not every industry handles payments the same, so my team and I made a dozen template options you can access on Google Docs to help you set just the right foundation for requesting payment. To cover all your bases, we've designed a dozen simple invoice templates you can download and edit to fit your exact billing needs. To the uninitiated, it can sound like a complicated, legally-binding contract, but in reality, it's an easily customizable, simple document that clearly outlines what your client or customer needs to pay you, what they're paying for, and when you need to be paid. But for those who are on the fruitful end of the billing table, an invoice is how you get paid for your products or work. ![]() ![]() There's a catch, though: before they unlock, players will have to increase their bonding level to maximum with their chosen Pokemon. The Pokemon Fan Club in Vermillion City is also the place where players will be able to find the Eeveelution and Raichu Outfit Sets. How to unlock the Raichu and Eeveelutions Sets When he's done, he'll offer an apology for wasting so much of the hero's time, then hand over either the Pikachu or Eevee set as recompense. He'll ask if the hero wants to hear more about Pokemon respond "Yes," then sit back as the man babbles at length about his favorite creatures. Once access to Vermillion City has been opened up, find the Pokemon Fan Club and speak to the Chairman. Like with the Sports Set, the Pikachu and Eevee sets can be found relatively early in the game. Approach them and open up a dialog to have them give you the Sports Set, which offers up items for the hero as well as their chosen Pokemon, either Eevee or Pikachu. Finding it is easy: before leaving the initial area Pallet Town, look for the hero's sibling. The Sports Set will undoubtedly be the first Outfit Set that all Pokemon: Let's Go players acquire. They aren't difficult, by and large, but they do require a bit of time and effort to acquire. Most are acquired by speaking to various NPCs or by completing certain requirements. ![]() Generally speaking, Outfit Sets in Pokemon: Let's Go Pikachu and Eevee are spread all across the in-game map. Finding them all will take some effort, but this Pokemon: Let's Go Outfit Set guide players get decked out in no time. The latest Nintendo Switch release from Game Freak and The Pokemon Company is loaded with fresh creatures and gear to find, not the least of which being the game's 10 distinct Outfit Sets. ![]() Give the Poké Doll you bought in Celadon City to the cookie girl upstairs and she'll give you TM31 (Mimic).Where are Outfit Sets in Pokemon: Let's Go Pikachu and Eevee? All over, as it turns out. Once you have liberated Silph Co., you can enter the house in the northwest. He will give you a rare Level 15 Lapras as a reward. 10th Floor: Carbos, Rare Candy, Ultra Ballīe sure to pay a visit to the Silph employee on the 7th Floor, in the same room where you fought Gary.4th Floor: Full Heal, Max Revive, Escape Rope, TM41 (Torment).After you have beaten Giovanni, you can now explore the building without getting attacked and safely retrieve all the items scattered about. There is no use in listing all the trainers in this building as you're likely to take your own route through here. If your Pokémon are healthy enough for the final showdown, continue on from Gary's position to face the following trainers:īeat Giovanni to get your hands on the valuable Master Ball. He's got the following Pokémon: Pidgeot (37), Growlithe (37), Exeggcute (35), Alakazam (35), as well as his trusty starting Pokémon at level 40.īy the way, you can heal your Pokémon at any time by going to the 9th floor and talking to woman in the southwest corner of the building. ![]() You will now fight your arch nemesis, Gary. ![]() Open the locked door and take the teleporter next to the table. Now you can open every locked door in the building, so you don't need to try and warp around too much. All you need to do is take the elevator up to the fifth floor (you'll need to go the warp spot, then head back to 5F to get to it) and grab the Card Key in the narrow corridor in the southern part of the room. There are tons of teleporters that take you places - and guess what, most of them are completely superfluous. This office maze can be really confusing when you don't know where you're going. ![]() ![]() ![]() When this option is enabled, click Set Camera. Select Cinema 4D camera: Use this option to choose a camera.Cinema 4D Camera: Uses the camera that is defined as the render view camera in Cinema 4D, or the default camera if none is defined.To view 3D text layer strokes before exporting, make sure that the composition renderer is set to Classic 3D. While the Ray-traced 3D renderer in After Effects does not render strokes for 3D text layers, strokes are still exported when enabled. Strokes are exported for 3D text and shape layers into the. Text animation features that are not supported include: text animators, kerning, tracking, vertical text, paragraph text, and text on path. However, this option has limited support for character and paragraph formatting, and animation of text layer properties. In this option, you can modify the font and text in Cinema 4D. The Preserve Editable Text option exports 3D text layers as extruded text objects in the. You cannot modify the font and text content in Cinema 4D. This option retains the fidelity of the layer: character and paragraph formatting, and animation of text layer properties. The Extrude Text as Shapes option exports 3D text layers as extruded spline objects in the. You can export your compositions with 3D animated text and shape layers to Maxon Cinema 4D using the After Effects' Live 3D pipeline for round-tripped 3D workflow.ģD Shape layers are exported as extruded spline objects, and includes animation of shape layer properties. GPU and GPU driver requirements for After Effects.How After Effects handles low memory issues while previewing.Use Frame.io with Premiere Pro and After Effects.Collaboration in Premiere Pro and After Effects.Collaboration: Frame.io, and Team Projects.Creative Cloud Libraries in After Effects. ![]() Working with After Effects and other applications.Using the GoPro CineForm codec in After Effects.Rendering and exporting still images and still-image sequences.Automated rendering and network rendering.Export an After Effects project as an Adobe Premiere Pro project.Preview changes to 3D designs real time with the Mercury 3D engine.Extract and animate lights and cameras from 3D models.Import 3D models from Creative Cloud Libraries.Import and add 3D models to your composition.Construct VR environments in After Effects.Use expressions to edit and access text properties.Syntax differences between the JavaScript and Legacy ExtendScript expression engines.Compositing and transparency overview and resources.Setting, selecting, and deleting keyframes.Animating Sketch and Capture shapes using After Effects.Managing and animating shape paths and masks.Animation, Keyframes, Motion Tracking, and Keying.Cameras, lights, and points of interest.Remove objects from your videos with the Content-Aware Fill panel.Use Offset Paths shape effect to alter shapes.Shape attributes, paint operations, and path operations for shape layers.Paint tools: Brush, Clone Stamp, and Eraser.Overview of shape layers, paths, and vector graphics.Animate faster and easier using the Properties panel.Replace images and videos in Motion Graphics templates and Essential Properties.Work with Essential Properties to create Motion Graphics templates.Use expressions to create drop-down lists in Motion Graphics templates.Work with Motion Graphics templates in After Effects.Examples and resources for text animation.Formatting paragraphs and the Paragraph panel.Formatting characters and the Character panel.Detect edit points using Scene Edit Detection.Importing and interpreting footage items.Importing and interpreting video and audio.Importing from After Effects and Adobe Premiere Pro.View detailed performance information with the Composition Profiler.Precomposing, nesting, and pre-rendering. ![]() ![]() ![]() ![]() Below, I discuss how we can shift our focus in using our non-dominant wing:Ī Type 1 with a 9 wing combines the perfectionism of Type 1 and the withdrawal from stress or conflict of Type 9. Develop or exercise the traits of the 2 Types connected to your Core Type. ![]() So how do we use our knowledge of the Enneagram to become our best selves? Here’s what we can do: The good news is that you can use Enneagram as a map for your self-growth journey and the whole aim is to “loose” or “lose” your type – reduce the influence of your core type’s fixation over your life. At the same time, there’s a lot of benefits when we actively work on to change, you can read about it here. There’s a lot of reason why a sustained change is tremendously difficult. After all, changing one’s behaviour and mindset is the most challenging thing we can ever do as a human. You might be thinking, how do we do this? Well, the answer is easier said than done. It makes us realise that as human beings, we are highly adaptable and we’re able to tap into the strengths of other types and allows us to become the person we’re meant to be. It sheds light on our coping mechanisms and false narratives that we tell ourselves. Not only does it give us clarity on our ego structure and worldview (the reason why we do things the way we do), but it’s also a tool for growth and personal development. But Enneagram, in particular, is a lot more complex. Personality Typology is fun (for the most part)- they give us in-depth information on how we process information, what our traits are, and the reason why we do things the way we do. ![]() ![]() Jessica and Garrett met during a service mission in Russia, but it wasn’t until years later that they started dating - while in college. Jessica and Garrett Gee, along with their three keiki (children) Dorothy, Manila, and Calihan, have been traveling the world sleighing their bucket list since 2015 when they sold everything they had and departed on a trip around the world. The Bucket List Family is an ohana (family) of five family travel journalists. Spottswood collaborates with academics and industry professionals to uncover how these technologies and tools can be used and designed to help people connect, learn, and work. As humans become increasingly dependent on communication technology and digital tools, it is important that research uncovers how people try to use these tools to accomplish their goals and come to know the world around them. Spottwood’s research interests focus on 1) how people use communication technology to develop and build their personal relationships, 2) how digital media impacts people personally and professionally, and 3) how usability issues impact educational and organizational success. JESSICA’S PERSONAL ADVICE ON HOW TO NAVIGATE THE UPS AND DOWNS OF SOCIAL MEDIAĭr. WE GET STUCK IN THE ECHO CHAMBER BECAUSE OF THE ALGORITHMS OUR MAIN TAKEAWAY: HAVING A BRAND IMAGE, DOES NOT MEAN YOU ARE INAUTHENTIC HOW DO YOU SET AND MAINTAIN HEALTHY BOUNDARIES FOR CONSUMING SOCIAL MEDIA? JESSICA’S STRATEGY FOR CREATING AND CONSUMING MEDIA INCLUDES THINKING ABOUT HOW SHE CAN GIVE BACK THE STRUGGLE IS REAL, JESSICA TALKS ABOUT HOW MEDIA HAS LED TO FEELINGS OF DEPRESSION + ANXIETY POSTING OUR BEST MOMENTS ISN’T JUST HUMAN NATURE, IT’S LOGISTICAL GUEST: Jessica Gee, The Bucket List Family SPOTTSWOOD’S RESEARCH-BASED STRATEGIES FOR HOW TO DEAL WITH THE POSITIVITY BIAS AND HYPERPERCEPTIONS WHY ONLINE COMMUNICATION MIGHT HELP US TO BETTER DETERMINE THE TRUTH AND AUTHENTICITY OF A MESSAGE HOW DO WE KNOW IT’S GENUINE IF WE CAN’T SEE NONVERBAL CUES? THE STRUGGLE TO BALANCE OUR BRANDED “WORK SELVES” WITH OUR AUTHENTIC “PERSONAL SELVES” YOU’RE ONLY GETTING A “SLICE OF THE REALITY PIE” THE NORMS OF TECHNOLOGY USE + THE POSITIVITY BIAS AN ILLUSTRATION OF THE HYPERPERCEPTION MODEL SPOTTSWOOD IS SO PASSIONATE ABOUT THIS FIELD Give ourselves and others grace, don’t read the comments, realize that you can never 100% satisfy a goal in a persistent space We can be our authentic selves in many different ways.īalancing a brand image and a personal image - you can be your authentic “work self” ![]() What you need to know about why people present their best selves onlineĪre nonverbal cues helpful in determining someone’s online authenticity/honesty? How to break free of the hyperperception rabbit hole The less they know, the farther from reality their perceptions might get. People make “hyperperceptions” about what they see online. How knowledge of the positivity bias and the hyperperception model can help with our understanding of social media’s impacts Then, I have mega influencer The Bucket List Family’s Jessica Gee on the show to breakdown the research and what we learned by reflecting on our own personal experiences. Erin Spottswood teaches us about how social media is impacting us, and what we can do to counteract it’s negative impacts. This episode was the perfect episode to kick of Season 1 of the Communification Podcast. The goal of this podcast is to expose us to communication research so that we might gain research-based communication tools to help with the beautification of our communication. ![]() ![]() For methane (CH 4), it is tetrahedral and for ammonia (NH 3), it is trigonal pyramidal. However, their molecular geometries are different. This corresponds to a tetrahedral electron geometry: The last two molecules in the examples above (CH 4 and NH 3) are both tetrahedral. This is why we need to identify the Electron and Molecular Geometries.įor the Electron Geometry, we treat the atoms and electrons equally. Notice that the last two molecules have the same steric number (4) but a different number of atoms and lone pairs. ![]() Whether it is a single, double or a triple bond, it is atoms + lone pairs for any bond type. However, if you use this formula, you don’t need to worry about the types of bonds. You might have a different formula for the steric number that involves the number of bonds. The sum of the number of atoms and lone pairs is called Steric Number (SN): In total, there are four units around the oxygen in water: This assumes that you already know the Lewis structures, so if you don’t check, this article. For example, in the Lewis structure of water, we can see that it has two atoms and two lone pairs of electrons. However, in actual molecules, they can be atoms or lone pairs of electrons. In the model demonstration above, we said that the blue spheres represent atoms. There can be more than four atoms, however, it is never the case for the carbon, and that is why we won’t get to those since this post is tailed toward organic chemistry. However, the tetrahedral geometry is a better alignment since the angle between the groups is 109.5 o:Įach of these geometries that we have discussed has a name: If you have never heard about the tetrahedral geometry and thought it was 90 o, that is fine, we all did when first introduced to this topic. What do you think it is when there are four atoms connected to the center? When there are three atoms around the central unit, the optimal angle is 120 o: In this case, putting them across at 180 o allows for achieving the optimal geometry: An orientation that puts them as far away as possible with the same angle between all. Keeping in mind that the blue atoms repel each other, propose an optimal geometry for them. The red sphere represents the central atom and the blue ones are connected to it: ![]() Let’s use this model examples to illustrate how this works. It is the keyword and all you need to grasp this concept is keeping in mind the idea that atoms want to stay as far apart from each other as possible because of the repulsion between the electrons on them. First, what does VSEPR stand for? It is the Valence Shell Electron Pair Repulsion theory. In today’s post, we will discuss the VSEPR theory which helps us understand the geometry of molecules. ![]() ![]() Students will apply what they've learned through 20 practice exercises as they powerfully strengthen their writing and research skills and develop analytical thinking and logic.Īligned to McREL, TESOL, and WIDA standards, this resource will prepare students for college and career. This essential classroom resource will teach students how to read critically in literary and informational texts, read and annotate by close reading the passages, look for central ideas in order to comprehend and research, and use what is credible to make informed decisions and create educated opinions.Įquip grades 6-8 students with the expertise needed to master these skills through 10 skill lessons, including paraphrasing, proper MLA formatting, using credible sources, using block quotations, creating a bibliography, avoiding plagiarism, and direct quotations. Prove It! Using Textual Evidence provides teachers with the strategies they need to teach students how to cite textual evidence when reading and writing.
![]() ![]() Reaper also supports most popular file formats along with some not-so-popular file formats out there. With Reaper you can apply effects in a real time, non-destructive manner, insert almost any third party or MIDI plug in, and even brings real-time pitch shifting and time stretching capabilities into the mix. It also brings the ability to directly record audio to mono, stereo, or even multichannel audio files, along with the ability to record to multiple disks at the same time for data redundancy if that’s something you want. For starters, Reaper comes with support for multiple tracks, and has a remarkable multichannel support with 64 channels in each track. Reaper is yet another audio editing software that’s incredibly powerful and feature rich while also being comparatively more affordable than some of the other options on this list. Control over singular notes as well, if needed.Feature rich, and has a variety of plugins.Logic Pro X supports audio formats like WAV, AIFF, CAF, PCM, ALAC, AAC, MP3, REX, RCY and a lot more. There are also a ton of pre-recorded sounds, and patches that you can freely use in your workflow, along with Apple’s insane amount of plug-ins that are shipped with Logic Pro X (there’s over 60GB of additional assets you get with LPX!). Logic Pro X also brings an ‘arpeggiator’ which can automatically convert chords into arpeggios for giving your music a more complex feel. There’s also ‘Flex Pitch’ which does the same thing for individual beats, except with pitch instead of timing. That’s insanely incredible and will let you fix that single mistimed beat with minimal effort. The app also brings ‘Flex Time’ which lets you edit the timing of a single note in a waveform individually, without having to slice it out of the clip itself. Not a good fit for people looking to produce music.Too many features for beginners to easily understand and make use of.Good fit for people looking to edit voice-overs, or video related audio tasks.Plus, it supports most of the audio formats out there like MP3, WAV, AC-3, AIF, AIFF, AIFC, AAC, HE-AAC, CAF, FLAC, PCM, OGG, WMA and more, along with support for video formats like AVI, MP4, MOV, FLV etc. There are a bunch of plug-ins, and Adobe even has its very own series of tutorials surrounding Audition, which should definitely make it much easier for you to get started with the app.Īlong with all of that, the app has a really well thought out interface, and manages to look inviting even with all of the features it packs once you scratch the surface. Audition also has some powerful clip editing features including things like mirrored fades, the ability to maintain layer stacks when moving a single piece of the stack, and a lot more. ![]() |
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